Sunday, December 26, 2010
Happy Boxing Day
Thursday, December 23, 2010
The King's Speech & Other Dark Matters
Oh, yes, the Angelika is an arthouse in the northern part of Uptown in Dallas, on the other side of the DART rail line. It's near some very trendy loft apartments, the type that have murals painted on the side and ooze attitude. (I may look plain, but you can't afford the rent!) Cheri went on and on about how it reminded her of New York or San Francisco, two places that -- as Joy reminded her -- we haven't seen, and probably will never get the chance to see. But Cheri, in the midst of reminiscing, overlooked the side comments. I kept quiet ... Whenever there's a monologue in session, you might as well listen and keep silent ... and observe the scenery.
The Angelika Theatre definitely was plain on the outside -- and a challenge to approach from the street. You parked in the DART parking lot (very tiny) or in the 3-tiered lot across the street and walked across the DART station, which is a 2-tiered station; you get your tickets on the street level, where we were, then descend to take the train ... The Angelika's interior has many arty posters, ranging from Charlie Chaplin to foreign films. There's a wine bar (very expensive) on the ticket level, and regular concessions upstairs near the auditoriums. We headed upstairs. Yeah, you need to dress up for this place -- even the quartet of teens were upscale, though I wonder which movie they were there to see. The remake of The Tempest with Helen Mirren as a school project? Who knows ... I didn't think they would find any films there to their tastes.
Still, we had time to kill and ate nachos and hot dog and popcorn while we waited for our film to begin ... oh, and the pre-movie ads were classy, too. What can I say? Still, Cheri and we could count on our fingers the times we'd been in an arthouse -- We'd gone to the Magnolia in Uptown Village with Cheri to see 13, and she had gone to 2 others, all to see Jeremy Sisto, one of her favorites, in a rather depressing film about a teenager who gets into cutting herself and drugs.
Angst and indeterminant endings are hallmarks of a well-made art film for the thinking man.
I guess The King's Speech didn't haven't to meet those criteria since it was based on history. I'm sure there were liberties taken -- no movie gets the official blessing from Buckingham Palace -- but all the actors did an impressive job. Naturally, the movie centers around Bertie, the unwilling King, and Lionel, his practical speech therapist. For Americans raised on the romance of "the woman he loved," the portrayal of David and Wallis is rather biting. Both are intent on their own pleasure, and everyone else be damned. It's enough to make you want to research the era a bit more ... although it's a bit before my time, pre-WWII times are as alien to me as the 60s are to my students ... the world before Hitlet changed everything.
I sense that Cheri might indulge in a bit of historical reading -- she does more history than fiction. I may take a visit to the local library to pick up a few books myself ... I need something that's the total opposite of what I'm trying to write. Back to the movie -- Joy commented that this one was mainly talking heads, but what expressive heads they were! As Bertie struggles to find his voice, the audience empathizes with him -- after all, the #1 fear of many people is speaking in public. The knowledge that this first wartime speech will be the first of many -- and Bertie's comment that he fears this is only the first in a long conflict -- adds solemnity to the triumphal moment.
And, on our exit, I noticed that there was a sign for "Teens Who Stutter" -- maybe the girls were coming to our movie. Who knows? We swept outside into the chilly winter day as a larger audience began to enter. I hope that "the boys" get those Academy nominations in 2011 ... They deserve it. (That means I have to follow the awards next year ... Jeff Bridges did out Colin Firth in 2010 ... True Grit won the Academy for the Duke, but I wonder if it can do the same as a remake in 2011.
All in all, if they ever show anime as the Angelika (they did, once upon a time), we may have to head northward once more.
Tuesday, December 21, 2010
Winter Solstice
The lunar eclipse occurred on the winter solstice ... and I didn't set the alarm to see it. By the time I made it outside this morning, the moon had set. I'd slept so late that I barely beat the garbage men to the pick=up site. (Mundane, I know, but when pick-up happens once a week, you don't want to miss anything!)
(Pictured -- Sir Dustin at Four Winds Faire 2010)
For now, it's time to close ... My mom and I are doing a "duty visit" to her sister. Old age and infirmity do not mellow people, I've learned. It tends to set whatever behaviors they possessed -- if they were pleasant, they remain pleasant despite calamity. If they're autocratic, they become tyrants ... Mom doesn't want to see her by herself, and I've been drafted since the boys are working. Imagine -- I get to dress in school clothes and wear make-up so Mom doesn't hear catty remarks later on my appearance ... I dress so casually that such remarks may be inevitable. Still, I'll do my beast.
Avanti!
Saturday, December 18, 2010
Christmas Kittens, Oh My!
Thursday, December 16, 2010
Holiday Cheers
Saturday, December 11, 2010
Babes, Ballet, & Bling
This is our 5th panto -- I think our first was Cinderella at the KD Studio Theatre ... If you Google, "British panto -- Cinderella," you might find Entsheawful and her sister menacing poor Cinderella.
This show is based on an old English ballad about two children who get lost in the woods and die of exposure, even though the birds covered them with blankets of leaves ... well, THAT ending won't fly in a panto, so it's the principal boy (Paige Turner) and the dame (Governess Amplebottom) to the rescue, with the help of Robin Hood and his Merry Men. Baron von Nasty Chap and his minions got some good musicals numbers -- and lots of heckling from the kids in front of us. Of course, we boo and hiss along with everyone else. That's the point of a panto!! The old "4th wall" just doesn't exist ... while we were heckling the Baron, however, I had a flashback to my 3rd period class who cannot shut up. Luckily, it's part of the script, so the actor took it in stride and sneered at all of us ... until he revealed his sad past and got reformed, another traditional part of Jackie Mellon's scripts. I think the only villain who didn't get reformed was the evil magician in Aladdin and the ogre in Puss in Boots last year ... but, technically, they weren't human -- or part of the hero's family. It isn't Shakespeare or high drama, but you'll have a great time. To see a expert critic's comments on the panto, go to